现代陶艺领域贴花装饰技法的发展与突破

Development and Breakthrough of Decorative Techniques in Modern Ceramic Field

贴花装饰技法,以及由此衍生出的贴花类陶瓷器,在众多陶瓷品类中可以说是独树一帜般的存在。这种装饰技法自战国彩绘陶器始便已出现,在东汉原始瓷器出现后得到进一步发展,最终在唐代长沙窑、南宋龙泉窑和高丽青瓷等不同时期的各个窑厂达到发展顶峰,形成了百家齐放的盛世景象。但那之后,随着现代陶艺的逐渐兴起,以及各艺术领域向极简主义靠拢趋势的不断盛行,以凸显繁复装饰感为主的贴花技法便走向了衰落。在贴花技法陷入发展低谷的现如今,本文作者在结合三彩釉的特点尝试改良贴花技法后,对其在现代陶艺领域的未来发展方向上做出了一次崭新尝试,以期能为贴花技法走向现代化提供些许绵薄之力。

Decal decoration techniques,as well as the derived decal ceramics,can be said to be unique in their respective fields.This decorative technique has appeared since the beginning of the war country painted pottery,and has been further developed after the emergence of the original porcelain in the Eastern Han Dynasty.Finally,it reached the peak of development in various kilns in different periods of the Tang Dynasty,such as Changsha Kiln,Longquan Kiln in the Southern Song Dynasty and Korea Celadon.But after that,with the gradual rise of modern ceramic art and the trend of drawing closer to minimalism in various art fields,the decal technique,which mainly highlights the complex decorative sense,has declined.Now that the decal technique has fallen into a low development point,the author tries to improve the decal technique by combining the characteristics of the three-color glaze,and makes a new attempt on the future development direction of the modern ceramic art field.In order to provide some help for the modernization of decal techniques.