陶瓷山水画的写心论和可观可游之意境探究

On the mind writing theory of ceramic landscape painting and the artistic conception of considerable Tourism

青我国有三种材质所表现的艺术形式及其相似,就是陶瓷和宣纸以及绢本,尤其在表现国画艺术时,可以说有基本一样的效果。追其溯源,我国绘画艺术最早是出现在彩陶上,之后分为纸娟和陶瓷两支方向。我国的文人墨客对书画情有独钟,所以出现与院体画宫廷画不同的文人画,其中山水画是文人墨客乐于探索的一项,在当代也不少文人墨客在陶瓷艺术中运用山水表现,因为陶瓷山水可以表现作者自身的心态与对自然山水的感悟。陶瓷山水画家必须“神于好,精于勤,饱游沃看”才能胸有丘壑。强调陶瓷山水画家要绘“可游可居可观之境界”,画出人们渴望林泉的理想境界,主要陶瓷山水画家应“所养扩充”、“所经众多”,“所览淳熟”,“所取精粹”,在文化,生活,传统,技巧各方面有全面的休养。

there are three kinds of artistic forms expressed by materials in China and their similarities,namely ceramics,rice paper and silk.Especially in the expression of traditional Chinese painting art,it can be said that they have basically the same effect.Tracing its origin,China's painting art first appeared on painted pottery,and then divided into two directions:paper Juan and ceramics.Chinese literati have a special love for calligraphy and painting,so there are literati paintings different from courtyard painting and palace painting.Among them,landscape painting is one that literati are willing to explore.In contemporary times,many literati use landscape expression in ceramic art,because ceramic landscape can express the artist's own mentality and perception of natural landscape.Ceramic landscape painters must"be good,diligent and full of travel"in order to have a narrow mind.It is emphasized that ceramic landscape painters should draw"a considerable realm where people can travel and live",and draw the ideal realm where people yearn for Lin Quan.The main ceramic landscape painters should"cultivate and expand","have many experiences","see Chunshu"and"take the essence",and have a comprehensive rest in culture,life,tradition and skills.