诗我互证的“心象”诗学实践——评李修文《诗来见我》

A Poetic Practice of“Mind-Image”with Mutual Evidence between of Poetry and Me——Comment on Li Xiuwen's Commute between Life and Poetry

《诗来见我》是一部兼容抒情、叙事与诗论色彩的散文集。梳理李修文近年来的散文创作历程,可以发现其书写的对象存在着一条从山河人间的“物”之“象”到思接千载的“心”之“象”的演变脉络。《诗来见我》中,作者以诗为媒,书写自我与古今诗人相遇时互相“照见”的心迹与心境;作者知人论世,通过“心象”风景的“参差对照”来为古典诗词注入时代新解。“诗来见我”的命名,揭示了作为读者心象之“再象”与作为诗人心象之“本象”的跨时空叠映与对话,体现出对王夫之“诗象其心”诗论主张的继承与发扬。作者借助兼具平行性、模糊性与整体性的诗性思维来实现古今诗境的互文性书写,在诗教传统中寻找以诗注我、以诗慰己的路径,使古典诗歌由旧翻新、由客返主、由物及心,从而通向一种诗我互证的“心象”诗学的跨文体实践。

Commute between Life and Poetry is a collection of lyrical,narrative,and poetic prose.By investigating his works in re⁃cent years,this study has found that what Li Xiuwen wrote has evolved from the image of objects in the world to the image of mind,in which the latter has a more than one thousand year’s tradition.In the Commute between Life and Poetry,the author uses the genre of poetry to record the state of mind and dynamic activity in the mind when“encountering”ancient poets.Based on his profound understanding on the world,Li provides a new interpretation of classical poetry through the“asymmetric comparison”be⁃tween“image”and“mind”.The naming of Commute between Life and Poetry reveals superposition and dialogue across time and space between the“reproduced image”by the readers and the“original image”by the poet.The name of the collection also re⁃flects the contemporary transformation and development of Wang Fuzhi’s poetic theory that“poetry reflects heart”.The author us⁃es his poetic thinking,which bears the feature of parallel,ambiguity and holism,to realize the intertextual writing in the ancient and modern poetic realms,and to find the way to express himself with poetry and comfort himself with poetry in the poetic tradi⁃tion.In this way,classical poetry is transformed from old to new,from objective to subjective,and from“object”to“mind”,which leads to a cross-genre practice of poetry-me intertextual poetics of“mind-image”.