陕甘宁边区的秧歌与乡村社会治理

Yangko and the Rural Social Governance in Border Areas of Shaanxi-Gansu-Ningxia

秧歌作为陕北地区的一种民间文娱活动,历经多年演化已成为当地乡村生活的重要组成部分。在抗日战争时期,为了保障中国共产党在陕甘宁边区的生存与发展,共产党人需要寻求一种新的文艺与政治教育相结合的宣传工具,帮助乡村群众自觉自愿地接受思想改造。在中国共产党的改造下,秧歌剧经历了从旧民间艺术到新社会改造工具的转变过程,其作用大大超越了宣传工作的范畴,极大地改善了乡村社会的治理状况。

Yangko,as a folk recreational activity in northern Shaanxi,has become an important part of local rural life after many years of changes.During the Anti-Japanese War,in order to guarantee the development and survival of the Communist Party of China in the border areas of Shaanxi-Gansu-Ningxia,the Communists need to seek a new publicity tool that combines art and political education,so as to make the rural masses voluntarily accept the ideological reform.The Yangko opera has experienced a changing process from the old folk art to the new social reform tool under the reform of the Communist Party of China.Yangko has not only performed the function of publicizing,but has greatly improved the governance of rural society.