30年代左翼电影的抒情面向

Lyrical Aspects of Left-wing Films in the 1930s

左翼电影呈现出政治、教化之外的抒情面向。这一面向既应关注到中国文艺抒情传统的影响,又要将其纳入到现代性框架下审视。本文从三个方面进行探讨:左翼电影促使一些进步影人从“小资之情”转向“大众之情”,完成了抒情主体的建构;左翼电影将关于生命体验的抒情内核渗透于叙事主题,调动电影媒介的情感属性,确立了中国电影“抒情的叙事”传统;左翼电影在历史转折的当口,在新的文化构架下,型模和塑造着人民情感共同体。

The Left-wing films presented lyrical aspects beyond the political and educational functions.This aspect should not only be observed from the influence of the lyric tradition of Chinese literature and art,but should also be investigated in the framework of modernity.This paper discusses this issue from three aspects:left-wing films have promoted some progressive filmmakers to transfer from“petty bourgeoisie sentiment”to“public sentiment”,and completed the construction of lyrical subject;The left-wing films embedded the lyrical core of life experience into the narrative theme,mobilized the emotional attributes of film media,and established the tradition of“lyrical narrative”in Chinese films.At the historical turning point and under the new cultural framework,the left-wing films have modeled and shaped the emotional community of Chinese people.