论徐怀中小说的境界叙事——以《牵风记》为考察中心

On the Realm Narration of Xu Huaizhong’s Novels:Based on A tale of the Wind

对于小说而言,若想在叙事中抵达艺术境界,不仅要成功再现审美对象,还要充分诠释在对象呈现中所能达到的精神层次。《牵风记》在顺应天性的审美追求中彰显着境界叙事的超脱、和谐、至美的本真内涵。以此为基点,回溯作者六十余年的写作历程,可以发现其在阶段性“保持沉默”背后,是文学执念的生长、回归自然的天性以及对中国传统文化内核的自觉认同等。徐怀中式写作因其所跨越的时间、所蕴含的特质而成为一种现象,其对于我们思考当代长篇写作与古典文学资源之间的关系,探究当代长篇写作的另维空间等皆有着一定的启示意义。

For a novel,if it want to reach the artistic realm in narrative,it must not only successfully reproduce the aesthetic object,but also fully interpret the spiritual level that can be achieved in the presentation of the object.In the aesthetic pursuit of conforming to nature,A tale of the Wind shows the true connotation of transcendent,harmonious and supreme beauty of realm narration.Use that as a starting point,this paper review the author’s writing process for more than 60 years,and find out that what’s behind the phrase“keep silent”is the growth of literary obsession,the return to nature and the self-consciousness of the core identity of Chinese traditional culture.However,the realm narration based on A tale of the wind and Xu Huaizhong’s writings become a phenomenon because of the time they span and the characteristics they contain.It helps us to think about the relationship between contemporary full-length writing and ancient literature resources,probing into the other dimension space of contemporary full-length writing has certain enlightenment significance.