摘要
杨万里淳熙后期两次立朝中,广泛、频繁而深入地参与临安诗坛的交游酬唱,其交游诗创作形态由此发生一定变化,与此前的“诚斋体”迥然相异。从写作倾向上,从较为私密的个人化、日常化视角,转变为创作群体间公共姿态、公共场景的展示,甚至带有朝廷官方化与政治宏大性色彩;从诗体选择上,从以往最擅长的七绝,转变为意脉结构更为典雅整饬、更具交际应酬功能的七律,来表现官场离京送别与日常酬答赠谢;从外部而言,积极撰写多部个人诗集的自序,利用临安的人际网络与交游资源来进行自我传播,获得诗坛声望。由此,临安诗坛交游的多重影响成为其引领中兴诗坛的重要背景与纽带。
In the later Chunxi period,Yang Wanli was appointed to the imperial court twice,and he extensively,frequently and deeply participated in the social activity in the Linan poetry circle.This has changed the style of his poem creation and made it quite different from the"Chengzhai style"before.From the perspective of writing tendency,it has changed from a more private and personalized,daily perspective to the display of public posture and public scene among creative groups,and even with the color of official government and grand politics.On the style,he began to choose septa-syllable regulated verses,which assumes more function of social intercourse and communication,more than seven-syllable quatrains of his mastery,in the official farewell and daily antiphon.In the exterior,he wrote intensively the preface of his individual anthologies in order to make self-dissemination and to win a high reputation by making full use of social network and resources of Lin An.Therefore,these multiple influences above of social connection in Lin An became the significant background and link for the poet to lead the revival of poetic circle.
出处
《南京师范大学文学院学报》
2021年第3期161-174,共14页
Journal of School of Chinese Language and Culture Nanjing Normal University
基金
国家社会科学基金重大项目“中国古代都城文化与古代文学及相关文献研究”(编号:18ZDA237)。
关键词
杨万里
临安
交游诗
《朝天》二集
Yang Wanli
Lin An
social poems
Chao Tian Poetry Anthology and its Sequel