民国时期中国文学史中的《聊斋志异》书写

The Strange Tales of Liao Zhai in the History of Chinese Literature in the Period of the Republic of China

《聊斋志异》在民国时期中国文学史著作中所受的重视程度与其实际文学成就并不相称:所占篇幅不多,有些只限于列举;在内容上也较为单一,主要涉及作者蒲松龄生平与《聊斋志异》成书过程;且各个时段皆有《聊斋志异》书写缺席的情形。其原因在于,白话文运动造成了文言小说的被屏蔽,当时的《聊斋志异》研究偏于考证,流行的学术话语不适用于描述《聊斋志异》的审美特征。

The attention paid to The Strange Stories of Liao Zhai in the history of Chinese literature during the Republic of China is not commensurate with its actual literary achievements:it does not take up much space,some of which are only enumerated;it is also relatively simple in content,mainly involving the author Pu Songling's life and the process of writing The Strange Tales of Liao Zhai.The absence of writing of The Strange Tales of Liao Zhai was found in all periods.The reason lies in that the vernacular language movement resulted in the blocking of classical Chinese novels,and the research of The Strange Tales of Liao Zhai at that time was biased towards textual research,and the popular academic discourse was not suitable for describing the aesthetic characteristics of The Strange Tales of Liao Zhai.