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《聊斋志异》中的春夏秋冬

Spring,summer,autumn and winter in LiaoZhai Stories
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摘要 《聊斋志异》中关于春夏秋冬的季节描写或是作为时间节点标明故事发生的时间,或是以寥寥数笔施以简单描绘,虽然着墨不多,但对架构小说的叙事结构、推动故事的情节发展有着不可忽略的重要作用。本文分析《聊斋志异》中的季节描写特点,试探究其成因。同时,季节描写在《聊斋志异》中对小说人物形象的塑造及风格化创作的贡献也是本文的分析对象。 The seasonal description of spring,summer,autumn and winter in LiaoZhai Stories refers not only to the time when the story is a time node,but also to a few simple descriptions,although there is not much ink,but in the narrative structure of architectural novels and promote the development of the story plays an important role.This paper analyzes the characteristics of seasonal description in LiaoZhai Stories and attempts to explore its causes.At the same time,the seasonal description of the novel character shaping and stylized creative contribution in LiaoZhai Stories is also the object of this paper.
作者 孟秋江 MENG Qiujiang(Wuhan University college of liberal arts,Hubei Wuhan 430000,China)
机构地区 武汉大学文学院
出处 《蒲松龄研究》 2021年第3期60-67,共8页 Study on Pu Songling
关键词 聊斋志异 季节描写 蒲松龄 LiaoZhai Stories The seasonal description Pu Songling

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