论希穆涅克的马克思主义人道主义艺术符号学美学

On Simunek’s Marxist Humanistic Art Semiotic Aesthetics

二十世纪70年代中后期希穆涅克在捷克斯洛伐克特殊的政治语境下推进人道主义马克思主义符号美学之思,抵制艺术领域庸俗化、形式化的不良倾向,从音乐、小说等具体艺术形式入手切入艺术的语义化、艺术客观化、艺术形式等问题研究,融入了人道主义、社会历史、实践、意义等理论批判维度与方法,体现了一名东欧知识分子和马克思主义学者的理论勇气和求真精神。希穆涅克对二十世纪80年代中国学界的人道主义思想产生影响,可为当代建设中国马克思主义符号学美学提供一些良好的理论参照。

In the middle and late 1970s,in the special political context of Czechoslovakia,Simunek promoted the humanistic Marxist Semiotic Aesthetics and resisted the unhealthy tendency of vulgarization and formalization in the field of art.Starting from the specific art forms such as music and novel,he studied the semantics,objectiveness and forms of art with critical perspectives and approaches of humanitarianism,social history,practice and significance,which shows the courage and truth-seeking spirit of an intellectual and Marxist scholar in eastern European.His influence on the humanitarian thoughts among Chinese scholars in the 1980s can provide some theoretical reference for the contemporary construction of Chinese Marxist Semiotic Aesthetics.