从审美构型到文化治理——托尼·本尼特文化治理性观点的逻辑演进

From Aesthetic Configuration to Cultural Governance--The Logical Evolution of Tony Bennett s View of Cultural Governance

审美作为塑造主体的治理性技术,是文化治理中自下而上实现个体自我治理的一个重要前提。源自康德美学的审美无功利和审美自由为主体的自我自由治理提供了哲学基础。审美自由是主体自我管理实践的重要方式,审美教育为主体构型提供了技术载体,批评范式和制度话语空间则是主体不断进行自我塑形、完成自我变革的重要保证。从审美实践的主体构型到主体的自我革命,文化最终完成了其治理性的功能。

As the governance technology of shaping the subject,aesthetic is an important premise for realizing individual self-governance from bottom to top in cultural governance.Aesthetic non-utilitarianism and aesthetic freedom derived from Kant's aesthetics provide a philosophical basis for the self-free governance of the subject.Aesthetic freedom is an important way for the subject to achieve self-management practice.In addition,aesthetic education provides a technical carrier for the subject configuration and critical paradigm and institutional discourse space are an important guarantee for the subject to continuously shape and complete self-change.From the subject configuration of aesthetic practice to the subject's self-revolution,culture finally completes its function of governance rationality.