《风平浪静》:道德内省、黑色幽默与镜像共生

Back To The Wharf:Moral Introspection,Black Humor and Mirror Symbiosis

电影《风平浪静》是内地导演李霄峰继《少女哪吒》《灰烬重生》之后执导的第三部叙事长片,该片依旧秉持着李霄峰对“生与死”的深刻思考,聚焦人性的善恶较量,通过一贯阴冷、平静又不失温暖的影像风格,揭示人所面临的道德困境、情感危机,并试图通过解读影片中的“俄狄浦斯情结”,探讨父之法权利体系对人性的压制以及“弑父”后的自我精神拯救。

Back To the Wharf is the third narrative film directed by mainland director Li Xiaofeng besides Ne Zha and Tracing.This film continues the director’s deep thinking of life and death,focuses on the battle between good and evil parts in human nature,reveals the ethical dilemma and emotional crisis faced by human beings through the cold,calm and warm style of film description,and tries to interpret the"Oedipus Complex"in film,discusses the method of the parent right system suppression of human nature and self salvation.