摘要
21世纪中国女性主义文学批评在逐步走向兴盛的同时,也开启了沉淀与反思:首先是理论层面的“断裂”,作为“西学东渐”的舶来品,女性主义文学批评要实现真正意义上的中国化,还需要我们自己的研究者展开进一步探索与努力;其次是方法层面的“回归”,女性主义批评与意识形态密不可分,刻意忽视或疏远将造成女性主义文学批评的缺失,这也是以往学术研究所忽略的地方;最后是视域层面的“和谐”,女性主义文学批评并不是女性研究者的文学批评,双性视域的交融,对进一步研究、发展女性主义文学批评,显得极为必要。
While the 21st century Chinese feminist literary criticism is gradually rising to prosperity,it has also opened up its precipitation and reflection.First comes a“fracture”at the theoretical level.As an imported product of“gradual eastward spread of western learning”,feminist literary criticism entails further strenuous exploration on the part of our own researchers in order for it to realize sinicization in the real sense.Second rates a“regression”at the method level.Feminist criticism is inseparable from ideology,and deliberate neglect or alienation will only result in the lack of feminist literary criticism,which has also been the aspect omitted by previous academic researches.Last is the“harmony”at the level of horizon.Feminist literary criticism is by no means the literary criticism of female researchers.The blending of bisexual perspectives is extremely important and necessary for further research and development of feminist literary criticism.
作者
汤林峄
刘松娜
TANG Lin-yi;Liu Song-na(School of Literature and Journalism, Xiangtan University, Xiangtan, Hunan 411105, Chin)
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2021年第5期120-126,共7页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
湖南省教育厅科学研究重点项目(16A211)阶段性成果。