先锋:自序曲之后——论林莽诗歌创作的艺术自觉

Vanguard Poetry:Coming after the Prelude——On the artistic consciousness of Lin Mang's poetry creation

林莽的诗歌创作始于“白洋淀”时期,从起步期开始,他的创作便体现出“诗画相通”的艺术特色,包括在日后成熟期的创作中,与美术构思深深相通的画面美都一直是林莽创作的主要特征之一。二十世纪七十年代,在一系列内外因素的综合作用下,林莽完成了思想上的自我启蒙,创作上对现代主义有所吸收。八十年代中期,林莽有意识地进行“自我革命”,捕捉绵密、细微的日常生活之美,并逐步确立了自己的艺术风格。尽管如此,人们对林莽的印象却仍大多停留在白洋淀时期,对林莽诗歌创作中的“艺术自觉”问题不够重视。从方法论的角度来看,完整地考察林莽的艺术自觉,有助于使研究者注意到文学史研究的局限性,对于反思先锋诗歌的艺术追求和社会激进思潮也具有重要意义。

Lin Mang’s poetry creation began in the period of Baiyang Lake.From the beginning,his works reflected the artistic characteristics of“the synaesthesia of poetry and painting”.This includes the fact that in the later mature period of his creation,the picturesque beauty deeply connected with the artistic conception had all along been one of the main features of Lin Mang’s works.In the 1970s,under the comprehensive effect of a series of internal and external factors,Lin Mang completed the ideological self-enlightenment and absorbed modernism in his creation.In the mid-1980s,Lin Mang consciously carried out self-revolution to capture the minute beauty of daily life and gradually established his own artistic style.In spite of this,people’s impression of Lin Mang still mostly stays in Baiyang Lake period,and they don’t attach enough importance to the problem of artistic consciousness in Lin Mang’s poetry creation.From the perspective of methodology,a complete study of Lin Mang’s artistic consciousness will help researchers to pay attention to the limitation of the study of literary history,and it is also of great significance to reflect on the artistic pursuit of vanguard poetry and social radical thought.