摘要
两汉之际,滕州地区政治经济文化高度发展,巨大的财富积累和厚葬思想盛行,使得该时期出现了一种“以石为纸,以刀为笔”装饰性石刻绘画艺术——汉画像石。滕州地区题材丰富多样的画像石艺术为人们提供了全方位了解该地区汉代政治、经济、文化的第一手资料,其中众多描绘非现实主义题材中的“祥瑞”图案更是将该时期汉人社会现状和对生活美好期盼展现得淋漓尽致。
During the Han Dynasty,with the high development of politics,economy and culture in Tengzhou area,the huge accumulation of wealth and the prevalence of the idea of thick burial,a kind of decorative stone carving painting art appeared in this period by“taking stone as paper and knife as pen”:Han Dynasty stone with paintings.The rich and varied stone art reliefs in Tengzhou area provide us with the first-hand information to understand the politics,economy and culture of the Han Dynasty in an all-round way.Among them,many of the“auspicious”patterns depicting the non-realistic themes vividly show the social status and expectations for the beauty of life of the Han people in that period.
作者
刘伟
李艳芳
Liu Wei;Li Yanfang(School of Art,Anhui University of Finance and Economics,Bengbu 233000,Anhui)
出处
《黑河学院学报》
2021年第9期148-150,共3页
Journal of Heihe University
基金
2019年安徽财经大学研究生科研创新基金项目“滕州地区汉画像石地域风格研究”(ACYC2019366)。
关键词
汉画像石
祥瑞
滕州
Han Dynasty stone with paintings
auspicious omen
Tengzhou