论舒斯特曼“戏剧化”艺术思想

Study on Richard Shusterman′s Art Thought of"Dramatization"

舒斯特曼提出的“戏剧化”艺术理论,既体现了语言分析哲学的基底,又受到实用主义美学的影响,注重定义的有用性。艺术定义的有用性在于通过艺术品实体或艺术本身的审美重要性来采取某种立场,从而增进对艺术的审美理解。“戏剧化”艺术理论具体包括上演时框架预设的语境性以及生动性所带来的强度刺激感。作为戏剧化的艺术,前者聚焦了语境内容,使其与现实生活内容区分开来,成为“非现实化”的艺术作品,而后者力图在展示过程中完成自身强度的输出,刺激个体的心理感受,旨在带来艺术的生动性与生命力。这二者之间的张力平衡了自然主义的审美经验与历史主义的社会框架之间的矛盾冲突,使之共存,具有理论生长性。

Shusterman′s artistic theory of"dramatization"not only embodies the foundation of the philosophy of language analysis,but also,influenced by the aesthetics of pragmatism,pays attention to the usefulness of definition.The usefulness of art definition lies in taking a certain position through the aesthetic importance of art entity or art itself,thus enhancing the aesthetic understanding of art.The artistic theory of"dramatization"includes the context of frame presupposition and the intensity of stimulus brought by vividness.As a dramatic art,the former focuses on the content of context,distinguishes it from the content of real life,and becomes a"non-realistic"work of art.While the latter tries to complete the output of its own intensity in the process of display,and stimulate individual psychological feelings,so as to bring forward artistic vitality.The relation between the two balances the contradiction and conflict between the aesthetic experience of naturalism and the social framework of historicism,making them coexist with theoretical growth.