冼星海后期音乐创作与中华民族意识

On Xian Xing-hai’s Late Music Creation and Chinese National Consciousness

通过冼星海自1940年离开祖国以后的背景切入,对他的音乐创作进行宏观的认识和思考,剖析他音乐作品体现的民族意识和特点。从早期参加抗日救亡运动到在鲁迅艺术学院开展创作和教学,再到为祖国的民族音乐事业奔赴异国他乡,冼星海作为中国近代音乐史上最重要的作曲家之一,用短暂的一生谱写了众多辉煌的音乐作品,渗透了自己对祖国的热爱和民族自豪感。这些音乐作品包括声乐作品和器乐作品等多种音乐体裁,其中器乐作品大多是冼星海在1940年后创作的交响音乐,是冼星海对大型器乐体裁创作的尝试,是他音乐创作生涯中的一部分,这些作品拥有抗日战争和作者海外漂泊的背景,又被赋予了重要的历史意义。

As an important composer in the history of modern Chinese music,Xian Xing-hai has composed many brilliant musical works in his short life,from the early anti-Japanese and national salvation movement to the creation and teaching in the Lu Yi period in Yan’an.He has infiltrated his works with his love for the moth-erland and national pride in his blood and blood.These music works,including the vocal music and instrumen-tal music works,the creation of a variety of music genre of instrumental music works are mostly symphony mu-sic,which he wrote in 1940,these works is a large instrumental music genre of his creation,is not only a part of his music creation,at the same time,because under the background of the Anti-Japanese War and the exile,These musical works are endowed with important historical significance.This paper,starting from the back-ground of Xian Xinghai’s departure from China in 1940,makes a macroscopic understanding and reflection on his music creation,in order to analyze the national consciousness and characteristics of his music creation.