穿青人“跳菩萨”傩戏的教育传承研究

A Study on the Education and Inheritance of the “Tiaopusa” Opera of the Chuanqing People in Guizhou

贵州被称为"傩戏王国",专属黔西北部穿青人的"跳菩萨"傩戏是贵州少数民族非物质文化遗产之一,穿青人"跳菩萨"傩戏因其生存环境封闭、所属地域民族特色鲜明等原因,很好地保存了傩戏文化的特色性、原真性、教育性,成为学界探索原始傩戏形态的重要资源。但因近年来新生代传承的断层,导致穿青人"跳菩萨"傩戏出现传承人断代的危机。文章通过考察穿青人"跳菩萨"傩戏的历史沿革,立足非物质文化遗产教育及其传承,把握穿青人"跳菩萨"傩戏的教育传承现状,针对教育传承中面临的问题和挑战,从而提出对其进行教育传承的相关思考。

Guizhou is known as the "kingdom of Nuo opera". "Tiaopusa", which is popular in northwestern China, has well preserved characteristics, authenticity and educational significance of Nuo opera due to such reasons as its remarkable ethnic features, closed living environment, etc. However, because of the gap between the old and the new generation on the inheritance of "Tiaopusa", this opera is now facing the crisis of continual education and inheritance.Therefore, this paper aims to study the history of "Tiaopusa", Grasp the educational and inheritance status of the opera, Contrary to problems and challenges witch appeared in education and inheritance, so as to explore relevant countermeasures for the education and inheritance of "Tiaopusa".