摘要
文章以张之洞与武汉博物馆为例,探讨了在文物资源不足、展厅空间不规则的情况下,如何变不利条件为有利条件,将“展览策划”转化为“展览创作”,进一步探讨近现代历史展览中对人物与城市关系的表现方法,以及这种表现方法对观众的启迪与影响;其主旨在于与同行和读者探讨:近现代历史的展厅如何突破教科书式陈列,成为以观众为中心的思考空间。
Through the case of Museum of Zhang Zhidong in Wuhan, the paper investigates the transformation from “exhibition curation” to “exhibition creation” in unfavorable conditions such as insufficient cultural relics or irregular exhibition hall space. Moreover, it explores methods in exhibiting relationship between human and cities in modern and contemporary history exhibitions, and the inspiration and influence produced by these methods to their visitors. Ultimately, the author intends to share and discuss with its peers and audience regarding approaches that museum halls of modern and contemporary history could adopt to break limits of traditional doctrinal display, becoming visitor-centred thinking spaces.
作者
李德庚
Li Degeng(Academy of Art&Design,Tsinghua University,Bejing,100084)
出处
《博物院》
2021年第4期93-100,共8页
Museum