论中国北方民族“艺术民俗化”倾向--以蒙古族艺术为例

A Discuss on the Tendency of“Folkloric of Art”Among the Ethnic minorities in Northern China--Focused on the Mongolian Art

中国北方民族艺术的一个重要特色是艺术的“民俗化”倾向,它有其内在原因,也有外部条件。中国北方草原地区民俗的形成,多借助艺术的形式加以包装完成,而定格化的民俗活动,又依靠艺术“生产”与“消费”的良性循环,而日渐程式化,并最终使艺术成为民俗活动固定的标配。艺术的民俗化,是以中国北方草原民族天人互益的生产、生活为载体,以多种艺术形式为媒介,从物质到精神,再从精神到物质的一种程式化、符号化的浓缩、固化过程,也是中国民族文化艺术发展进程中一个不可忽视的现象。本文以蒙古族艺术中的若干实例,来印证并分析这一文化现象,以期为今后的民族文化艺术研究,提供典型的研究个案和理论启迪。

The tendency of the“folkloric of art”is an important feature of the ethnic arts in northern China,this tendency has its internal reasons and external conditions.The formation of folk customs in the grasslands of northern China is mostly completed by means of artistic packaging,while the fixed folk activities are gradually stylized by virtue of the virtuous circle of"production"and"consumption"of art,and finally make art a fixed standard for folk activities.The folkloric of art is based on the produce and life of the grassland people in northern China,who benefit each other,and with a variety of artistic forms as the medium,is a stylized and symbolic process of concentration and solidification from matter to spirit and from spirit to matter,and also a phenomenon that cannot be ignored in the development process of Chinese national culture and art.This article uses some examples of Mongolian art to prove and analyze this cultural phenomenon,so as to provide typical research cases and theoretical enlightenment for the future study of ethnic culture and art.