摘要
20世纪50年代中期之后,英国传记电影的传主由帝王将相转为战争英雄。20世纪70年代之后,传主的范围越来越大,不仅突破了身份、职业、肤色和性别的界限,还超越了国籍。英国传记电影的特点还表现在可信度高、可观赏性强、彰显出对英国性的多维思考。这些特点启示中国传记电影创作需要不以纪事为主而以述人为主、以真实打动观众、把艺术性摆在第一位、源源不断地输送民族的“英雄”。
After the 1950s,the main character of British biographical films shfited from emperors and high-level government officials to war heroes.After the 1970s,the scope for the main character in British biographical films was increasingly expanded,breaking through the boundaries of social ranking,occupation,skin color,sexuality,and even nationality.British biographical films are characterized by high reliability,strong appeal,and multi-dimensional thinking about British characteristics.These features reveal that Chinese biographical films should focus on personality instead of events,move the audience with high authenticity,give priority to artistry,and portray national"heroes"one after another.
作者
储双月
CHU Shuangyue(Film and Television Research Institute,Chinese Academy of Arts,Beijing,100029)
出处
《内蒙古艺术学院学报》
2021年第3期70-76,共7页
Journal of Inner Mongolia Arts University
基金
浙江省高校重大人文社科项目公关计划规划重点项目“文化产业的演化机制、政策优化与创新战略研究”(项目编号2016GH015)的阶段性研究成果
2013年度国家社会科学基金艺术学重大项目《中国电影海外市场竞争策略可行性研究》(批准号:13ZD02)的系列研究论文。
关键词
历史传记电影
英国性
纪念性传记电影
民族性格
Historical biographical film
Britishness
Commemorative biographical film
national personality