社会变迁与传统安代的现代重构——基于库伦旗安代传承人和地方学者的口述与田野

Social Changes and Modern Reconstruction of Traditional Andai:Based on the Oral Narratives and Fieldwork of the Inheritors of Andai and Local Scholars in Kulun Qi

随着70余年来内蒙古社会文化的发展,安代经历了传统歌舞仪式—民间歌舞—舞台歌舞—校园安代健身操—广场舞的变迁阶段。库伦旗安代通过孛额、民间安代艺人、群众文艺工作者、乌兰牧骑队员等实践主体的操作和演绎,从牧区进城镇,从传统安代歌舞的仪式属性转变为跨民族、超地方性的共享文化,被赋予"民间文化""舞台歌舞剧""健身操""广场舞""非遗"等多重现代属性。

With the social and cultural changes in Inner Mongolia over the past 70 years,Andai has experienced the transitional stages-traditional song and dance rituals,folk song and dance,stage song and dance,campus Andai aerobics,square dance. Through the practice and performance of shamans,local Andai artists,literary and art workers,and Ulan herdsmen,the Andai of Kulun Qi has entered from pastoral areas into towns,and transformed its ritual attribute of traditional Andai song and dance into a shared culture transcending nationalities and regions. It has been endowed with multiple modern attributes such as "folk culture""stage song and dance drama""aerobics""square dance"and"intangible cultural heritage".