摘要
文章以高成明舞蹈作品《命运》《守望》和《滑》为例,观察"光影"在舞蹈作品中所建构的形式、功能及其意义。在这三个作品中,"光影"的显现不是企图脱离身体,而是作为参与到作品中的一个要素,形成了别样的视觉样态,且与身体共同构成了审美上的折叠形式。由这种折叠方式让观众体验到一种差异经验,从而达到意想不到的艺术化效果。分析光影的舞台运用,将对当下及未来的舞蹈创作产生一定的启迪作用。
Taking Gao Chengming’s dance works Destiny,Watch and Slip as examples,this paper explores the form,function and significance of light and shadow in his works. In these three works,the presentation of light and shadow is not an attempt to get rid of the body,but acts as an element to participate in works,forming a different visual effect and constituting an aesthetic folding form together with the body. This folding method allows the audience a different experience,thereby achieving an unexpected artistic effect.The analysis of stage application of light and shadow will shed some light on the current and future dance creation.
作者
樊兴华
孙海怡
FAN Xing-hua;SUN Hai-yi(Division of Arts,Shenzhen University,Shenzhen 518000,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2021年第4期79-82,共4页
Journal of Beijing Dance Academy
关键词
光影
视觉
高成明
《命运》
《守望》
《滑》
light and shadow
visual impression
Gao Chengming
Destiny
Watch
Slip