摘要
文章梳理总结了当代中国艺术与乡村融合的五种表现形态:艺术园区的形成、社会实验的艺术介入活动、艺术节与特色小镇运营、基于乡村文化需求的艺术供给、多主体融合的艺术乡建,并在此基础上分析不同表现形态所体现的艺术、艺术家与乡村之间不同的关系结构。在中国全面推进乡村振兴的历史性转移的时代背景下,艺术乡建的意义需要被放置在社会整体发展的结构框架之中,明确艺术乡建的价值逻辑、艺术家的身份定位、对乡村传统的立场以及与农村的融合问题,在此基础上探索实现艺术社会功能的多元价值形式。
This paper summarizes the five forms of the integration of contemporary Chinese art and rural areas: the formation of art parks,the art intervention activities of social experiments,the operation of art festivals and characteristic towns,the art supply based on the needs of rural culture,and the artistic rural construction of multi-subject integration. On this basis,it analyzes the different relationship between art,artists,and villages embodied in different manifestations. Under the historical background of China ’s comprehensive promotion of rural revitalization,we need to place the significance of artistic rural construction in the framework of the overall social development,and to clarify the value logic of artistic rural construction,the identity of artists,the position of rural tradition and the issues concerning rural integration,then to explore and realize the diversified value forms of art’s social function.
作者
胡娜
HU Na(International Cultural Communication Department,National Academy of Chinese Theatre Arts,Beijing 100073,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2021年第4期96-102,共7页
Journal of Beijing Dance Academy
关键词
艺术乡建
乡村美学经济
价值主体
产业融合
artistic rural construction
rural aesthetic economy
value subject
industrial integration