“宋四家”与颜真卿经典形象的构建

The Relation between the Four Masters in the Song Dynasty and the Construction of Yan Zhenqing’s Classical Image

颜真卿书法经典形象是从宋代开始确定的,以苏轼、黄庭坚为代表的"宋四家"在其中扮演着重要的角色。文章从"宋四家"评论颜真卿书风出发,论其书风的价值所在,并由书风而论及其人品,进而为中国书论史上"书如其人"理论提供了有代表性的个案。文章又从"宋四家"对颜真卿书风的取法以及对颜真卿书史地位的评价进行讨论,指出"宋四家"在颜真卿书法经典形象的构建中起到重要的推动作用。

The classical image of Yan Zhenqing’s calligraphy was established in the Song Dynasty,and the Four Masters in the Song Dynasty represented by Su Shi and Huang Tingjian played an important role in it.This article starts with the commentary of the Four Masters on Yan Zhenqing’s calligraphy style,and it discusses the value and his personal character from his calligraphy style.In turn,the article provides a representative case for the theory of"the style of calligraphy is the man"in the history of Chinese calligraphy.This article also makes a discussion about how the Four Masters in the Song Dynasty learned from Yan Zhenqing’s calligraphy and what comment they made on Yan’s position in the history of calligraphy.In the end,the article points out that the Four Masters in the Song Dynasty are closely related to the construction of Yan Zhenqing’s classical image of calligraphy.