摘要
程嘉燧是晚明著名的布衣诗人,诗文书画兼善,尤以诗、画、诗文评为世人所称道。钱谦益尊其为"诗老",王士禛推崇其七言近体和绝句,认为他是明末七言律体两派之一。他的古学志向和诗学思想深深影响了钱谦益的学术文学追求,他与钱氏共同编纂《列朝诗集》,为明代诗学史的梳理做出了重要贡献;他扫除七子复古派云雾、使后生心眼俱开,他的诗论和批评在明代文学史上的影响与意义,均需重新认知和定位。
As a famous commoner poet in the late Ming Dynasty,Cheng Jiasui was also proficient in writing,calligraphy and painting.He was highly praised by people for his poetry,painting and poetry review.Qian Qianyi regarded him as a shilao(poetics master)while Wang Shizhen considered him to be the representative of one of the two schools of seven-character octave in the late Ming Dynasty,holding his seven-character octave and quatrain in high respect.Qian Qianyi’s academic and literary pursuits were also influenced deeply by his aspirations of ancient academics and poetic thoughts.Cheng Jiasui and Qian Qianyi co-edited the Liechao Shiji(Collection of Poems of the Ming Dynasty),and made important contributions to the combing of the history of poetics in the Ming Dynasty.He wiped out the bad influences of the Seven Retro Literature School and helped open the future generations’minds to a new world.The impact and significance of his poetics and criticism in the literary history of the Ming Dynasty need to be recognized and re-positioned.
出处
《中国文化研究》
CSSCI
北大核心
2021年第3期133-144,共12页
Chinese Culture Research
关键词
程嘉燧
钱谦益
诗歌创作
Cheng Jiasui
Qian Qianyi
poetry creation