艺术形式・民俗物象·群体生计·文化遗产:木版年画研究的四个维度

Study Wood Engraving Pictures from Four Perspectives:Art Form,Traditional Image,Livelihood of People and Cultural Heritage

木版年画是我国特有的艺术形式,还是一种混合的民俗物象,更是不同区域内部分民众的群体生计,其作为非物质文化遗产代表性项目装饰了民众的年节生活,慰藉了民众的精神需求,还成为部分民众农业收入的帮衬,在民众的日常生活中扮演着重要的角色。对作为艺术形式呈现、混合民俗物象存在、民众群体生计维系、文化遗产保护项目的木版年画进行多维度地研究,就是坚持一物多维的切入视角,将木版年画、受众群体、艺人群体、时代价值予以多维度关照,有利于呈现一个作为多元立体的文化物象及灵动复合的生活艺术。

Wood Engraving Pictures are not only a unique art form in China,but also a mixed traditional image.It affords a livelihood to some people in different regions in China.As a representative project of intangible cultural heritage,Wood Engraving Pictures not only have been decorating people's lives during the Spring Festival,but also have been meeting people's spiritual needs.Wood Engraving Pictures make it possible for some farmers to earn an extra income in addition to their agricultural income.In a word,Wood Engraving Pictures are playing an important role in people's daily life.The study of the Wood Engraving Pictures from four perspectives:art form,traditional image,livelihood of people and cultural heritage is a multi-dimensional study.The multi-dimensional involvement of Wood Engraving Pictures and their consumers,crafters and the value of the times is helpful for the author to present the art of life from the perspective of multi-dimensional and flexible cultural image.