当代台湾文学中的巴蜀印象--以聂华苓、余光中、陈义芝为中心

Impressions of Bashu in Contemporary Taiwan Residents Literature--Focus on Nie Hualing,Yu Guangzhong,Chen Yizhi

当代台湾文学史上,有三个作家的巴蜀印象值得注意。一个是聂华苓,她笔下的巴蜀,是前现代中国封闭、停滞和衰朽意象的集合,深得"五四"传统精髓。另一个是余光中,在他为数众多的诗文中,常以巴蜀浇乡愁块垒。经由他的诗意转化,巴蜀由一个特定的地理区域演化为具有高度象征性的中国文化符号。第三个则是陈义芝,他的一些返乡组诗,较为普遍地反映了台湾开放探亲以来,外省第二代对于大陆原乡的现实观感和复杂情绪,在这一时期的台湾社会颇具代表性。多年来,"台独"思潮所内含的"去中国化"意识形态,在台湾社会愈演愈烈,流行泛滥,成为中国认同的障碍。因此,展示这三位作家人生经历、身份立场各有所别的文学书写中所呈现的巴蜀形象,或许可为当下台湾社会提供一个"再中国化"的文学经验。

In the history of contemporary Taiwan Residents literature, there are three writers whose impressions of Bashu are noteworthy. One is Nie Hualing, whose Bashu, a collection of images of pre-modern China’s closure, stagnation and decay, captures the essence of the May 4 th tradition. The other is Yu Guangzhong, in his numerous poems and essays, often douses his homesickness with Bashu. Through his poetic transformation, Bashu evolved from a specific geographical region into a highly symbolic symbol of Chinese culture. The third is Chen Yizhi. Some of his poems on returning home generally reflect the second generation’s realistic perception and complicated emotions towards the mainland’s hometown since the opening of Taiwan to visit relatives. Over the years, the ideology of"de-sinicization"contained in the trend of"Taiwan independence"has become increasingly popular in Taiwan society, becoming an obstacle to China’s identity. Therefore, the presentation of the images of Bashu in their different literary writings may provide a"re-sinicized"literary experience for the current Taiwan society.