摘要
Art intervention in rural areas is practiced in Japan and South Korea, but it has been repeatedly questioned and criticized in China. Combined with the historical background, this paper analyzes the ways in which art intervenes in rural areas on the basis of reviewing the emergence and development process of Setouchi Triennale, studies the specific planning and design techniques and implementation mechanism, and finds out the problems in the artistic revitalization of rural areas in China, so as to guide rural revitalization to a more reasonable path.
