现代文学史重写范式的建构与反思

Construction and Refelction on the Rewriting Model of History of Modern Chinese Literature

中国现代文学史的重写脉络从20世纪80年代起基本可以归纳为从革命与启蒙范式的交织到多元复合范式的建构,在其建构与重写过程中,真实历史、政治权力是避不开的要素。然而,在启蒙范式影响下的重写中,激进的主体性追求、本质主义的思维模式等易于将文学史中的历史简单化,且文学史书写虽一再声明要摆脱政治权力的干涉,但其实始终未能远离。过度地纠结于革命与启蒙话语,易于遮蔽文学史书写的更多可能,唯有多元复合范式的文学史才能够正视多样文学之“史”,正视文学史与意识形态的复杂关系,从而“重写”基于民族与世界广阔视野的“大现代”中国文学史,并彰显其渊源有自的丰富性和复杂性。

The rewriting of history of modern Chinese literature can basically be summarized from the interweaving of revolution and enlightenment paradigm to the construction of multiple composite paradigm since the 1980s.In the process of rewriting and constructing the history of modern Chinese literature,real history and political power are inevitable elements.However,in the rewriting under the influence of enlightenment paradigm,the radical pursuit of subjectivity and the essentialist mode of thinking are easy to simplify the history in literary history,and the writing of literary history has repeatedly stated that it must get rid of the interference of political power,but in fact,rewriting the history of literature has not been far from political power.It tends to obscure more possibilities for the writing of literary history to be overly entangled in the discourse of revolution and enlightenment.Only the literary history of multiple complex paradigms can face up to the"history"of diverse literature.Therefore,it is essential to face the complex relationship between literary history and ideology squarely,and thus rewrite the"big modern"Chinese literary history based on the broad vision of the nation and the world,and then demonstrate the richness and complexity of its origins.