语—图时空范式变化背后的“永恒当下性”

“Eternal Present”Behind Changing Space-time Paradigm of Language and Image

传媒时代,表现时间范式的语言艺术偏爱空间化描写,擅长表现空间范式的图像艺术则开始更加关注时间的流动性,这些尝试无不在于反映当代人的“当下性”意识。当代人历史感淡化,且对于“未来”充满虚无感,只有“当下”能被实实在在地把握在手中。“当下”不再仅仅是短暂的现在,当代社会的“当下”是包含了过去与未来的“永恒的当下”,这是一个既包含着时间内涵又包含着空间内涵的概念。当代语言艺术和图像艺术的时空范式在突破二元对立的更高层次上正尝试着新的对话与融合,正是为了表现当代人多重而丰富的时空体验。

In the media age,language art that expresses time paradigm favors spatial description,while image art that is good at expressing space paradigm begins to pay more attention to the fluidity of time.These attempts are all aimed at reflecting the“present”consciousness of contemporary people.Contemporary people’s history sense has faded,and they are full of nihilism about the“future”,and only the“present”can be truly grasped in their hands.The“present”is no longer just a short-lived present.The“present”of contemporary society is the“eternal present”that includes the past and the future.This is a concept that contains both time and space connotations.The time-space paradigm of contemporary language art and image art is attempting the new dialogue and integration at a higher level that breaks through the duality,precisely in order to show the multiple and rich time-space experience of contemporary people.