十字路口:疫情下的马克思主义美学

Crossroads: Marxist Aesthetics under the Epidemic

本文立足于中国特色马克思主义美学的文化"十字路口"构建出疫情时期中国马克思主义美学的四个文化转向,即中国新时代的"社会理想"、重构"时代美"、文化景观"多极化"、通往"未知美"。通过研究该美学领域正在面临的多元文化输入趋势及本土文化中的现实问题,发现该转向在未来中国美学的书写呈现出不同程度上的文本重叠及更多未知的可能。本文认为当代中国马克思主义美学具有比以往更为明显的文化包容性,其研究方式更倾向于感知层面,对当代社会公众的文化审美认知产生较为明显的积极影响。

Based on the cultural"crossroads"of Marxist aesthetics with Chinese characteristics, this paper constructs four cultural turns of Chinese Marxist aesthetics in the epidemic period, namely, the"social ideal"of China in the new era, the reconstruction of the"beauty of The Times", the"multi-polarization" of cultural landscape, and the approach to the"beauty of the unknown". By studying the trend of multicultural input in this field of aesthetics and the practical problems in local culture, it is found that this turn will present different degree of text overlap and more unknown possibilities in the future writing of Chinese aesthetics. This paper argues that contemporary Chinese Marxist aesthetics has more obvious cultural inclusiveness than the past, and its research method is more inclined to the perceptual level, which has an obvious positive impact on the cultural aesthetic cognition of the public in contemporary society.