摘要
重庆万州的汉代画像砖的图像想象和生动表现足以代表本区域的汉画像砖水平,且具有不可替代的区域特性。重庆万州汉代画像砖的实景想象与模块形制的考量与制作一定是为某种特定观念服务的。庄园农事、畋猎车马、神祇羽人所形成的模块组合、再现场景,以及特定的意象形制便是为这种死后愿景服务的。万州汉画像砖里有关实景的想象虽然各有阐述,图像模块形制组合虽然多变,但是基本叙述结构稳定,且具有秩序性的度量空间,反映了汉代重庆万州的画像砖图像的独特个性与丧葬观念。
The image imagination of the Han Dynasty portrait bricks in Wanzhou, Chongqing can represent the level of the Han Dynasty portrait bricks in this area. It has irreplaceable regional characteristics.The production of Han Dynasty portrait bricks in Wanzhou, Chongqing must serve a specific concept.Manor farming, hunting, carts and horses, model combinations, scene representations, and specific combinations formed by the gods and feathers serve this post-mortem vision.Although the imagination of Wanzhou portrait bricks related to reality has their own explanations, and the combination of modules is changeable, the narrative structure is stable and orderly,it presents the individuality and funeral concept of Wanzhou Chongqing’s portrait bricks.
作者
肖宝军
张群
XIAO Baojun;ZHANG Qun(Department of Fine Arts Education of Chongqing Preschool Education College,Chongqing,404047)
出处
《艺术生活》
2021年第2期34-37,共4页
Art & Life
基金
重庆市教育委员会人文社会科学研究项目“渝东北地区汉唐美术考古研究”(项目编号:17SKG261)研究成果。
关键词
重庆
万州
汉画像砖
实景想象
模块形制
Wanzhou
Chongqing
portrait brick in Han Dynasty
real imagination
modular form