摘要
道歌是藏族文学的重要表示形式,其历史久远。文章运用现当代文艺理论思维,以夏格措周仁卓道歌的文体规类、格律形式、修辞手法和文风流派为切入点,分析道歌所表现的世界观、人生观和伦理观,认为道歌成功运用了民歌多段体和自由体的格律形式,汲取了大量的民间谚语,具有诗影交辉、相得益彰、蕴涵美质、情理交融等艺术特征。
The spiritual songs of Chatangwa(bya btang ba in Tibetan)does not only artistically keep the general characteristics of the spiritual songs,but also receives inspiration from the theory of poems.This article focuses on the artistic characteristics of the spiritual songs comparing with theory suggested in the Mirror of Poem(snyan ngag me long in Tibetan).
作者
万玛
Pema(School of Humanity,Tibet University,Lhasa,850000)
出处
《西藏大学学报（藏文版）》
2021年第3期42-58,194,共18页
Journal of Tibet university
关键词
道歌
音韵
修辞
艺术特点
Spiritual songs
rhetoric
phonetic ornaments
artistic characteristics
