词魂——论宋玉的词人本色

The soul of Ci:On SONG Yu’s nature as a lyricist

自五代《花间集》引巫山神女入词之后,宋玉赋内化了词的情采,有别于俚俗曲词,为酒令小唱注入了骚雅词风。历代词中反复出现“高唐梦”“楚王风”,这一镕铸情感与意象的文学张力,显示出宋玉为词人共同的美感追寻建构了特殊的美学理念与价值思维。词人不论是自拟宋玉,或怀想宋玉,偎红倚翠的文人,均借用宋玉辞赋,烘衬美感经验。宋玉的抒情与文学意境的美感,给予词人创作的灵感。因此,宋玉是传统词学里的一种精神典型,在词史上成为重要的词魂。

Since the Fifth Dynasty Hua Jian Ji introduced the Wu Shan goddess into the lyrics,SONG Yu’s Fu has internalized the sentiment of the lyrics,which is different from the slang and popular songs,and has injected the small singing for the wine Sao and Ya style of poetry.“Gao Tang Meng”and“Chu Wang Feng”appear repeatedly in the poetry of the past dynasties.This literary tension that casts emotions and images shows that SONG Yu is a poet.The pursuit of beauty has constructed a special aesthetic concept and value thinking.Whether the poet wrote SONG Yu by himself,or the literati who dreamed of SONG Yu,and nestled in red and leaned on the green,they all borrowed.SONG Yu’s poetry is used to set the aesthetic experience.SONG Yu’s lyricism and the beauty of literary artistic conception give the poets the inspiration for creation.Therefore,SONG Yu is a spiritual model in traditional poetry and has become an important soul of Ci in the history of Ci.