国学视野下的现代玻璃用器设计

Design of Modern Glass Utensils from the Perspective of Sinology

中国玻璃用器最早发现于西周时期,盛世于清代,用途主要以陈设用品、生活用品、文房用品与供奉用品为主。随着制作工艺在民间的普及,需求量也随之增大,玻璃用器中"形"与"气"的呈现受到中国文人精神的影响。在庄子美学的引领下,现代玻璃用器所展现的不仅在器形的设计上,更是对于人内在精神的审美诠释。希望通过本文的梳理与分析能为现代玻璃用器设计研究提供有价值的参考。

Chinese glass utensils were first discovered in the Western Zhou Dynasty and flourished in the Qing Dynasty. They were mainly used for furnishings, daily necessities, stationery and worship supplies. With the popularization of craftsmanship among the people, the demand has also increased. The presentation of "Shape" and "Qi" in glass utensils is influenced by the spirit of Chinese literati. Under the guidance of Zhuangzi’s aesthetics, modern glass utensils show not only the shape design, but also the aesthetics of human inner spirit. Interpretation. It is hoped that the combing and analysis of this article can provide a valuable reference for modern glassware design research.