中国电影西部话语的空间生产与美学流变

The Spatial Construction and Changing Aesthetics of the"Western Narrative"in Chinese Films

改革开放以来,中国电影的西部话语经历了从第四代导演的现实生活反思,到第五代导演对历史寓言的重构,从第六代导演的纪实性的边缘人群生存状态的空间建构,到新世纪中国电影产业化发展以后的影像奇观与类型话语狂欢,呈现出纷繁复杂的视觉图谱,从一个侧面见证了中国电影的历史发展,丰富和拓展了中国电影的美学内涵。

Since the Open and Reform policy,the"western narrative"in Chinese films changed from the realistic retrospection of life by the Fourth Generation to the allegorization by the Fifth Generation,the spatial construction in the documentaries on marginalized groups by the Sixth Generation,and the visual spectacles and the carnival of genre narratives in the Chinese film industry of the 21st century,displaying a rich and complex visual spectrum,witnessing the historical development of the Chinese film industry as well as enriching and developing the aesthetics of Chinese films.