摘要
少数民族作家孙健忠前期的小说创作既与文学思潮共振,又借助特有的修辞策略参与国家、民族话语建构。后来由于《五台山传奇》公案的影响,孙健忠转变朴素的现实主义观,对接主流话语,其后续创作中带有明显的自我规训。对比孙健忠不同阶段的小说创作,无论是前期主流思潮对作家主体意识的影响,还是后期对湘西世界的感应和体认,都反映了他从事功到有情的文学转向,这一过程清晰地展现了作家与文学思潮的一种互动。
Minority writer Sun Jianzhong’s early novels not only resonate with the literary trend of thought,but also participate in the construction of national and national discourse with the help of unique rhetorical strategies.Later,due to the influence of Legend of Wutai Mountain,Sun Jianzhong changed his simple realism view and connected with the mainstream discourse,and his subsequent works had obvious self-discipline.The comparison of Sun Jianzhong’s novel creation in different stages,whether the influence of the mainstream trend of thought on the writer’s subjective consciousness in the early stage,or the induction and recognition of the world of Xiangxi in the later stage,reflects his literary turn from his utilitarianism to affection,which clearly shows the interaction between the writer and the literary trend of thought.
出处
《湖南广播电视大学学报》
2021年第3期25-30,共6页
Journal of Hunan Radio and Television University
关键词
孙健忠
文学思潮
主体性
创作转向
Sun Jianzhong
the literature ideological trend
subjectivity
the writing turn