摘要
文章从历史角度探讨电影修复从胶片时代到数字时代的演变,再从艺术研究视角阐述电影修复如何形成既保留历史痕迹,又契合时代需求的规范,最后在确定电影修复历史与规范的基础上,探讨数字人文背景下,新兴科技如何具体推动电影保护、修复、创新与传播的进一步发展的问题。文章对电影从胶片时代到数字时代的修复历史、修复规范以及时代意义进行全面的阐述,将文化强国中文化传承与文化创新放置于更具体的实践层面上进行研究。
The paper first discusses the evolution of film restoration from the film age to the digital humanistic age from a historical perspective, and then discusses how film cultural heritage can be restored in a way that preserves the traces of history while meeting the needs of the contemporary era from an artistic research perspective. Finally, on the basis of determining the history and norms of film restoration, this paper discusses how emerging technologies can specifically promote the further development of film protection, restoration, innovation and communication under the background of Digital Humanities. The article provides a comprehensive account of the history of film restoration, restoration norms and the significance of the times from the film era to the digital humanities era, and places cultural heritage and cultural innovation in a strong cultural nation on a more concretepractical level.
作者
司若
黄莺
Si Ruo;Huang Ying
出处
《电影艺术》
CSSCI
北大核心
2021年第5期102-110,共9页
Film Art
关键词
电影修复
电影文化遗产
时代意义
数字人文
film restoration
film cultural heritage
contemporary significance
digital humanities