摘要
明初朱有燉创作的三十一种杂剧是明杂剧的重要代表,它们入选明代戏曲选本的频率较高。依据选本体例和编撰原则的不同,流传于选本中的朱有燉杂剧也在发生着些微变化。以《香囊怨》为例,考察它在明代具代表性的戏曲选本中的流变,发现朱有燉杂剧在以曲调为单位的曲选中面貌较不完整;在剧选中的变化多体现在分折、科范、上下场等得到了进一步规范。
Thirty⁃one kinds of opera created by Zhu Youdun in the early Ming Dynasty are important representatives of the Ming Dynasty opera,and they are selected into the Ming Dynasty opera anthologies with high frequency.According to the different styles and compilation principles of the anthology,Zhu Youdun's zaju,which are circulated in the anthology,are also undergoing slight changes.In this paper,taking Xiangnang Yuan as an example,the evolution of it in the representative anthologies of operas in the Ming Dynasty is investigated,and it is found that the features of Zhu Youdun's zaju are incomplete in the unit of melody.The changes in the selection of dramas are mainly reflected in the further standardization of the subdivision,genre,and the upper and lower shows.
出处
《浙江艺术职业学院学报》
2021年第2期42-48,共7页
Journal of Zhejiang Vocational Academy of Art
关键词
戏曲选本
明杂剧
朱有燉
《香囊怨》
opera anthologies
zaju in Ming Dynasty
Zhu Youdun
Xiangnang Yuan