摘要
宋滑稽戏是中国戏曲发展史上不可或缺的一环,其演出布置主要有三个方面:故事题材、优人扮演和演出环境。宋滑稽戏演出中,优人通过装扮关注发型、服装和道具元素并以此服务表演,表演的重点则在最后由一人或两人以动作配合语言点破题旨。戏中优人喜剧性的肢体语言、三回合的情节铺陈和综合性的语言修辞提升了演出效果,在观演关系上呈现出面对面的互动性的特点。
Song Farce is an indispensable link of the history of Chinese opera.Its performance arrangment can be divided into three parts:story theme,the performance of actors and the performance enviroment.In the performance of Song Farce,actors focus on hairstyles,costumes and stage properties by dressing up,thereby serving performance.The focus of the performance is one or two actors expressing purpose at the end of the performance with actions and words.In the performance of Song Farce,comic body language,three rounds development of plot and compositive language rhetoric could enhance the performance effect and the audience⁃actors relationship presents the characteristic of face to face interaction.
出处
《浙江艺术职业学院学报》
2021年第2期49-57,共9页
Journal of Zhejiang Vocational Academy of Art
关键词
宋滑稽戏
演出布置
优人扮演
演出效果
Song Farce
the performance arrangement
the performance of actor
the performance effect