论清代枫桥诗歌中的类型化地理意象

On the Typified Geographical Images in Fengqiao Poems in Qing Dynasty

枫桥和寒山寺因运河枢纽的地理区位优势,促进了张继《枫桥夜泊》的传播和接受,至清代已经发展成枫桥诗歌中的类型化地理意象。受此影响,清代诗人对枫桥和寒山寺地理环境的观察乃至想象表现出明显的“感知定向”特征,其枫桥诗歌多属于以《枫桥夜泊》中“理想”之境为参照和借鉴的“造境”,有固定的意象组合,羁旅之“愁”是共同的情感基调。对清代枫桥诗歌中类型化地理意象的讨论,能补充对传统文学史视角下《枫桥夜泊》传播和接受问题的理解。

Fengqiao and Hanshan Temple,because of the geographical advantages of the canal hub of the Grand Canal,promoted the spread and acceptance of Zhangji’s"Night Mooring on Fengqiao"in the Tang dynasty,which had developed into a typified geographical image of Fengqiao poetry in Qing dynasty.Influenced by this,the observation and even the imagination of the geographical environment of Fengqiao and Hanshan Temple by the poets in Qing dynasty showed an obvious characteristics of"perception orientation",and most of their Fengqiao poems were"creating environment"with reference to the"ideal"environment in the poem"Night Mooring on Fengqiao",with fixed image combination and with the"sorrow"of travel as the common emotional keynote.A discussion of the typified geographical images in Fengqiao poems in Qing dynasty can supplement the understanding of the dissemination and acceptance of"Night Mooring on Fengqiao"from the perspective of traditional literary history.