摘要
自20世纪30年代起,师陀先后出版了《谷》《里门拾记》等小说集,为乡土文学开拓了一个新向度。在师陀小说中,田园风光、家园场景、世态风情相互交织,不同形式的"风景"不仅流露着作者无限深厚的怀乡情结,也承载着他在启蒙与革命转型期的多重话语叙述。基于对故土"浮世绘"生活样式的书写追求,师陀避免了左翼的叙事模式,也远离了京派小说的田园想象,他努力追求"社会"和"个人"的真实再现,在这一过程中,师陀表现出了既反思批判又眷恋感伤的复杂心理特征。
Since the 1930 s, Shi Tuo has published stories such as Gu and Limen Shiji, opening up a new dimension in "local literature".In Shituo’ s novels, pastoral scenery, home scenes and customs interweave with each other.The different forms of "scenery" not only reveal the author’ s profound homesickness, but also complete his multi-discourse narration during the transition period of enlightenment and revolution.Based on the pursuit of writing the "Ukiyo-e" life style of his native land, Shi Tuo avoided the narrative mode of the left wing and stayed away from the pastoral imagination of Beijing school novels.In his pursuit of the true representation of "society" and "individual",Shi Tuo showed the complex psychological characteristics of reflection, criticism and sentimentality.
作者
张东旭
ZHANG Dongxu(College of Literature and Law,Henan Institute of Science and Technology,Xinxiang 453003,China)
出处
《河南科技学院学报（社会科学版）》
2021年第11期71-77,共7页
Journal of Henan Institute of Science and Technology
基金
河南省高校人文社会科学一般项目“当代河南作家的文学选择与书写策略”(2022-ZZJH-565),主持人:张东旭
河南省博士后基金项目“新世纪河南长篇小说叙事话语分析”(001702023),主持人:张东旭。
关键词
师陀
风景话语
浮世绘
Shi Tuo
landscape discourse
Ukiyo-e
