感物与物哀:民族审美心理生成机制辨析

Gan-wu (feel by thing) and Mono-no-aware: Discrimination on the Generative Mechanism of National Aesthetic Psychology

感物说和物哀说皆表现自我与外物的关系,浅略地比较二者的审美呈现结果已然不足以明白其真正的区别,必须溯源二者物我关系的心理根源,明确二者的同根同源性。与此同时,从审美心理生成机制出发,在具体的作家、作品中分析二者在审美知觉中对象刺激、期待投射和盲点冲突的差异。在二者异同的分辨中,明晰中华民族审美心理的世界性和传承性。

Both Gan-wu(feel by thing) and Mono-no-aware theory express the relationship between self and external things. It is not enough to understand the real difference by simply comparing the aesthetic presentation results of the two. It is necessary to trace to the psychological root of their matter-self relationship and make clear their homology. At the same time, starting from the mechanism of aesthetic psychology, this paper analyzes the differences of object stimulation, expectation projection and blind spot conflict in aesthetic perception between the two in the writers’ works. In the difference of their similarities and differences, it makes clear the universality and inheritance of the aesthetic psychology of the Chinese nation.