书画文物原装裱保护性修复——以《宋艳艳女史草虫花蝶图卷》为例

Restoration of the original mounting of calligraphy and paintings using Grass with Insects and Butterflies Handscroll by Female Painter Yanyan of the Song Dynasty as example

现今对书画文物原装裱的修复保护越来越得到重视,《宋艳艳女史草虫花蝶图卷》为上海博物馆藏重要文物,虽然已非宋代原装,但现装裱也已经有一百多年历史,流传至今装裱已出现包首磨损残缺,天头前部残缺,天杆处开裂,覆背首端严重拱起等病害,亟需修复。修复采用保留文物装裱原貌及改善原裱不合理处的方案,通过将包首与天头分离,分别进行修复后,再复位还原;去除不合理“引条”纸以改善局部拱起不平的现状;以及对原包首边缘做皮纸包边保护,以提高老材料的强度。修复后的包首和天头恢复完整,原先因加“引条”纸而拱起严重的部位变得平整柔软,更有利于今后的展示和收藏。

Nowadays,more and more attention has been paid to the restoration and conservation of the original mounting of calligraphy and paintings.Grass with Insects and Butterflies Handscroll by Female Painter Yanyan of the Song Dynasty is an important cultural relic collected in Shanghai Museum.Although the mounting is not the original one from the Song Dynasty,it still boasts a history of more than 100 years.Before restoration,the wrapping silk was worn and incomplete,the upper mount incomplete,the joint of the top stave cracked and the backing paper heavily arched.The restoration adopted the scheme of preserving the original appearance of the mounting and improving its defective parts.The wrapping silk and the upper mount were separated and then repaired and restored.The“approach bridge”paper was removed to improve the current situation of arching.In order to improve the strength of the old material,the edge of the original wrapping silk was covered with bark paper.After the repair,the wrapping silk and the upper mount were restored to be complete.As a result,the parts with serious arching became smooth and soft,which is more conducive to display and the collection in the future.