摘要
以“形式成分”占主导地位的现代主义建筑设计,其鲜明的“形式主义性”,便其具有区别于以“表现成分”为主的古代传统建筑的美感特殊性,基于此观点,文章通过审美心理学说中的“距离说”“内模仿说”以及精神分析学说的“集体无意识理论”,分别阐述了现代主义建筑与审美主体间所产生的天然的“心理距离”是其审美生成的心理基础、现代主义建筑的形式特点所引起人的“内模仿”等一系列心理活动是其形式美感的生成方式、现代主义建筑作为“集体无意识”的表现对“极端化”趋向的调节是其审美生成的心理渊源。
The distinctive"formalistic nature"of modernist architecture,which is dominated by"formal element",makes it have the aesthetic particularity different from traditional architecture,which is dominated by"representative element".Based on this perspective,according to.the"theory of psychicak distance","inner imitation theory"and the"collective unc on scious theory"of psychoanalysis,it's respectively dem on strated that the natural"psychological distance"between modernist architecture and aesthetic subject is the psychological foundation of its aesthetic generation,a series of psychological activities such as"inner imitation11 caused by the formal characteristics of modernist architecture is the way to generate its aesthetic feeling and as a manifestation of"collective unconsciousness",modernist architecture regulates the tendency of"extremization",which is the psychological origin of its aesthetic gen eration.
作者
蔡忠庭
Cai Zhongting(China University of Geosciences,Wuhan 430074,China)
关键词
现代主义建筑
美感生成
形式主义性
modernist architecture
aesthetic generation
formalistic nature