摘要
北京明定陵出土的金龙百子衣是明代婴戏纹样手工刺绣服饰的精品代表,其不仅承载着“祈子求福”的儒家文化,而且还暗含着“母凭子贵”的封建女权意识。文章结合文献资料、考古实物资料和复原实物资料,对服饰上的婴戏纹图像进行分析和解读,探讨在不同的社会环境、物质载体、社会阶层、审美意识、材料技术下婴戏题材的图式特征和隐喻内涵,进一步深化对婴戏纹样的全面认知。
The dress with Embroidery of Gold Dragon and One Hundred unearthed in coffin of Empress Mausoleum of Ming Dynasty in Beijing is a piece of lady dress with exquisite hand-embroidery of Ming Dynasty.It not only carries the Confucian culture of"praying for the son and blessing",but also implies the feudal feminist consciousness of"mother with son expe nsive".On the basis of the study of releva nt literature,archaeological excavations,and recovered materials,this paper mainly discusses features of image schema and connotation of the metaphor of children-at-play painting which was in the different social circumstances,physical carrier,aesthetic consciousness,materials and techniques,so that it can deepen people's understanding of this type of pattern.
作者
韩帅
Han Shuai(Tianjin University of Technology,Tianjin 300384,China)
关键词
婴戏纹
金龙百子衣
图式
符号
隐喻
the children-at-play painting
the dress with Embroidery of Gold Dragon and One Hundred
schema
symbol
metaphor
