时空漫游者的体验诗学--小海诗歌审美的几个阶段及其写作伦理

Experiential Poetics of Space-time Wanderers:Several Stages of Xiao Hai’s Poetry Aesthetics and Its Writing Ethics

在进入南京大学中文系读书之前,作为第三代诗人的小海比很多同龄人更早地开始了自己的诗歌之旅。他后来结识韩东,并加入“他们”诗群,这一关键节点对小海后来的诗歌审美与创作产生了不可忽视的影响。他在田园乡村书写与诗歌的本体探索之间试图找到一个中介,并经由这一中介激活自身的天赋与潜能,既将乡村作为写作的背景和价值观,也作为诗歌的方法论。他在经验叙事上追求结构性的整体诗意,通过对语言和生活之间的考量,重构新的诗歌美学体系。新世纪之后,因为工作环境的变化和时间的相对充裕,小海从过去的短诗写作转向长诗写作,这对他来说,一方面是写作体量和诗歌认知上的考验,另一方面,也需要在历史意识和“影子式”自我革新的层面再次打开视野,从而进行深度的诗学突围。

Before entering the Chinese Department of Nanjing University,Xiao Hai,as a thirdgeneration poet,began his poetry journey earlier than many of his peers.He later got to know Han Dong and joined the“They”poetry group.This had an important impact on Xiao Hai’s later poetry aesthetics and creation.He tried to find an intermediary between pastoral and rural writing and the ontological exploration of poetry,and activated his talent and potential through this intermediary,taking the countryside not only as the background and values of writing,but also as the methodology of poetry.He pursues the structural and overall poetry in the empirical narration,and reconstructs the new poetic aesthetic system through the consideration between language and life.After the new century,due to the change of working environment and the relative abundance of time,Xiao Hai has changed from short poem writing to long poem writing.For him it is first of all a test of writing volume and poetry cognition.Furthermore he also needs to open his vision again at the level of historical consciousness and selfinnovation,so as to make a deep poetic breakthrough.