论《聊斋志异》与清代侠义主题的温情化

Discussion on Strange Stories from a Chinese Studio and the Warmth of the Chivalrous Theme in the Qing Dynasty

侠义是一个不断丰富的文学主题。通过回顾"侠以武犯禁"这一线索,可以看到,这一政治面向的特点在后世逐渐模糊褪色,日常空间中的侠在宋明之后的文学作品中逐渐增多。在《聊斋志异》的侠义故事中,"侠"的定义更具弱小者的民间互助性,大多发生于家庭内部和神异空间中。布衣之侠与异类侠义显示了蒲松龄被温情控制的道德立场和民间化的想象,这是《聊斋志异》为这一主题带来的新质。

Chivalry is a constantly enriching literary theme.By reviewing the clue of"Chivalry breaking the ban with force",we can see that the characteristics of this political orientation gradually blurred and faded in later generations,and the chivalry in daily space gradually increased in the literature after the Song and Ming Dynasty.In the chivalrous tales of Strange Stories from a Chinese Studio,which mostly occurring in a family or a supernatural space,the definition of"chivalry"is more of the folk mutual assistance of the weak.The chivalry of the common people and the non-human creatures shows Pu Songling’s moral position controlled by warmth and folk imagination,which is a new quality brought by Strange Stories from a Chinese Studio to this theme.