摘要
传统设计史研究秉持的“性别无涉”原则实际上是对女性经验及其历史贡献的漠视。女性主义设计史以女性主义作为立场,以身体经验、身份认同与日常生活作为其核心范式,以女性书写作为主要策略,是对传统设计史及其所蕴含的男性中心主义进行的批判、反思与纠偏。女性主义设计史追求的是基于史实的价值判断,强调的是批判性的历史叙事,是以性别多元论作为关怀伦理对设计史话语体系当中的剩余物进行重新配置,代表了当代史学研究伦理转向的先锋力量。
The“gender irrelevance”principle of traditional design history research is actually a disregard for women’s experiences and their historical contributions.Feminist design history takes feminism as its stance,body experience,identity and everyday life as its core paradigms,and feminine writing as its main strategy,which is a critique,reflection and correction of the traditional design history and its male centrism.Feminist design history pursues value judgments based on historical facts,emphasizes critical historical narratives,and uses gender pluralism as an ethic of care to reconfigurate the remainder in the discourse system of the design history,representing a pioneering force in the ethical turn of contemporary historical research.
作者
张黎
郑姣
ZHANG Li;ZHENG Jiao(Guangdong University of Technology,Guangzhou 510062,China)
出处
《工业工程设计》
2021年第5期15-22,共8页
INDUSTRIAL&ENGINEERING DESIGN
基金
北京市教委社科计划重点项目(SZ202011232025)。
关键词
设计史
女性主义
设计批评
性别研究
女性书写
design history
feminism
design criticism
gender studies
feminine writing